Exclusive Premiere: Barefoot – There Is Nothing Else (re:st)

“There Is Nothing Else” by Barefoot is taken from the “Fulmar EP”, released on the re:st imprint out of Switzerland. This will be their first digital release available separately, with downloads previously only being available when purchasing the vinyl or messaging the label with other purchases.

The EP contains four ambient soundscapes by the UK producer. With previous tracks on labels including Med School and Literature Recordings, it will come as no surprise that he tends to focus on the deeper and more experimental end of the electronic music spectrum, building atmosphere and emotion rather than creating dancefloor anthems.

Compositions steadily build, with layers of synths, field recordings and bleeps constructing immersive environments for the mind to wander reflectively. A profound journey for the listener, the release conjures emotion and stirs memories of joy and adventure with its delicate melodies.

An important release for the label, and the start of a new chapter, as re:st is launched into mainstream stores and streaming sites, an exciting time and a great opportunity for one of our favourite labels to reach a wider audience.

The 12” is a limited edition of one hundred with the majority of the run being pressed onto standard black vinyl, a highly collectable orange version is also available. Purchases direct from the re:st website will come bundled with the digital download.

Release date: 21st February 2020

Buy: relationreset.com/shop/barefoot-fulmar/

Two Hungry Ghosts Chart (February 2020)

Two Hungry Ghosts Chart (February 2020)

Friske – City Limits (Forthcoming DROOGS)
Bluematter – Real (Forthcoming Western Lore Limited)
FFF – Alert And Waiting EP (7th Storey Projects )
Gremlinz, Jesta And Kalu – Monolith (Forthcoming DROOGS)
Loxy And Resound – The Silent Knight (Cylon Recordings)
Out Of Fuel – Complex Channel (Forthcoming Straight Up Breakbeat)
Amit – Wake Dub (AMAR)
Numa Crew Featuring Riko Dan – Babylon (Numa Recordings)
Walton – Smashed Crabs (Forthcoming Tectonic Recordings)
Coop – To Fork An Outlet (Forthcoming none60)
Beat Merchants – Juju Man (V Recordings)
Machinedrum And Holly – Yangmei (Vision Recordings)
Sonar’s Ghost And Tim Reaper – Vol. 6 B2 [VIP] (Globex Corp)
Barefoot – Fulmar (Forthcoming re:st)
Khords Featuring Burns – Sunday View (Forthcoming Context Audio)

Compiled by Dave Sector

Dubplate Selection: Presha C/O RQ

A few weeks back, over on Dogs On Acid (yes, a few of us still visit/post there) a conversation started around which dubplates we have in our possession.

Not plate rips, actual dubplates. Quite quickly, RQ (jon_blak) posted an image of him cleaning a Marcus Intalex Music House dub in his kitchen sink, followed by a comment about him having around three creates worth.

It turns out that he is looking after them for Presha, Geoff from Samurai Music. Ryan, RQ, has taken images of a handful of these acetates and Presha has very kindly documented their history, getting wistful about the days when cutting a plate was the only way to play music upfront…

All images courtesy of RQ, words by Presha


Living in New Zealand, we were a long way away from where the action was and prior to CDJ’s and reliable internet the idea of having fresh dubplates was a goal we all aspired to but really had very little chance of attaining. I managed to become friends with a few of my favourite producers and label owners from organising tours for them in New Zealand and was being offered / sent tunes, but how was I going to play them without any way to cut them?

Anyways, CDJ’s didn’t exist yet and even though MP3’s were created in the late 90’s, it would take a while for DJ technology to catch up with them. Obviously now I had the tunes, my drive to get these cut sent my organising / begging skills into overdrive and my first plates were 31 Records dubs (including M.I.S.T – How You Make Me Feel) cut very kindly for me at Music House by Kemistry and Storm and brought out to me in New Zealand when they came out on tour.

Occasionally artists would leave me dubs as they left to go home after a tour (thank you Dillinja / Lemon D, Scotty, Total Science, Marcus, Calibre) but after getting these first dubs actually cut for me, I knew I had to get more serious about it.

It wasn’t long before I was standing in line at Music House chatting to Spirit as we were the first ones to arrive for the days cutting. I’d flown myself over to cut dubs, visit people and even play a few gigs, all organised for me by Storm (legend!). Jayne introduced me to Digital and between him and Spirit, old friends Total Science, Marcus Intalex, Doc Scott & Calibre, plus people I met at Music House like Klute, I was getting absolutely loaded with tunes to cut. I played Metalheadz Sunday Sessions at Camden Lock that year and I think Movement as well thanks to Bryan G. The actual cutting had become a total addiction, and as I reluctantly went back home to New Zealand, I knew I had to find a way to keep the dub flow going so I arranged with Leon at Music House to stockpile some dubs and have them collected by a courier every few months.

The vibe of Music House was so infectious, it’s really hard to explain to anyone that wasn’t there. The politics / hierachy of dubs maybe got a little deep but then someone you knew would show up and break through it all and hand you a CD to cut that made it all worthwhile. The absolute hunger floating around that room for new music and the delight on peoples faces when they cut a tune for the first time. It’s really something I am very glad I witnessed and took part in. I visited again, I think the second time was in 2002, but shortly after technology started catching up and the slow shift to CDJ’s / Final Scratch etc began.

There was a dubplate cutter in New Zealand for a short time in the early 2000’s. I even took Dillinja and Lemon D to meet him. He was really getting the cuts just right but unfortunately while this was happening, CDJ’s began taking over and the demand disappeared. A few of these photos are of plates cut in New Zealand during that time.

These are photos of my dubplates that have been in the care of RQ (thank you Ryan!) in NZ since I moved to Europe. I miss them dearly as they are memory fuel for a time I don’t want to ever let go of. I don’t think most people who were there cutting dubs do (except for the expense). It’s a time / feeling we can never get back with the bristling pace of technology as it is, but it doesn’t stop us trying. For those of you who haven’t ever held a dub, try and get near one to see what they smell like. For me that sweet aroma is like a time machine, man I miss it.

Presha (February 2020)

Dubplate Sleeves
Music House Dubplate Sleeve
Calibre – Untitled (Music House Dubplate)
Unknown – Reborn (Jah Freedom Dub Studio Plate)
Unknown – Mistical Dub (Stonesthrow Mastering Plate)
Calyx – Morphology (31 Records Plate)
Bad Company – Breath/Fixation (Music House Plate)
Total Science – Rated X (JTS Mastering Plate)
Reinforced Dubplate
Metalheadz Dubplate
Nasty Habits – Liquid Fingers (31 Records Plate)
Boymerang – Still VIP (Jah Freedom Dub Studio Plate)
Metalheadz Dubplate
Unknown – Dubplate Remix
Ed Rush And Optical – Watermelon (Virus Dubplate)
Dillinja – All The Things & Trinity – Foxy Lady (Heathmans Dubplate)
Unknown Dubplate
V Recordings Dubplate
Unknown Dubplate
M.I.S.T.I.C.A.L – Swing (Music House Dubplate)
Trace And Nico – Amtrak VIP (Dubplate)
RQ – Cleaning the plates

Dave Sector – Vykhod Sily Guestmix (February 2020)

I was recently asked to put together a guest mix for Vykhod Sily, the weekly Russian podcast series put together by Rustee focusing on 170/85BPM music.

This 90-minute selection features new releases, forthcoming tracks, unsigned demos, movie skits and sample sources.

From the slow-burning “Osiris” and “Black Sphere” to the techno charged “Temple” and “The Silent Knight”, I’ve tried to make the mix a journey into the more experimental realms of modern drum and bass covering a variety of moods and grooves.

I hope you find something you enjoy.

Dave Sector – Vykhod Sily Guestmix (February 2020) Tracklist

Bluematter – Crystal (Western Lore Limited)
House On Haunted Hill – Party Rules (Skit)
Synkro – Osiris (Synkro Music)
Sun People – Black Sphere (Rua Sound)
Loxy, Resound And Skeptical – X-Riddim (Cylon Recordings)
Tuscan – Temple (Inception Audio)
Special Forces – Freeway 200 [Bootlegus] (Unofficial)
Loxy And Resound – The Silent Knight (Cylon Recordings)
Amit – Wake Dub (AMAR)
Thug Widow – Blunt End Of The Heel (Western Lore)
LCP – Undiluted / Clairvoyance (re:st)
Pessimist – Thug (UVB-76)
Paracusia – Graveyard Shift [Homemade Weapons Remix] (Onset Audio)
DYL – The New Kid (???)
DYL – Morph (Two Hungry Ghosts)
RQ – New Earth (???)
Pessimist – Burundanga (UVB-76)
Out Of Fuel – Zero System (Ronin Ordinance)
Sicknote – Ruck (Ronin Ordinance)
Barefoot – Mývatn (re:st)
House On Haunted Hill – Pet Ghosts (Skit)
The Abyss – Slow And Easy Going In (Skit)
Michael Franks – Monkey See Monkey Do Japan [Live Intro] (Not On Label)
RPM – 2000 (Mo Wax)
Brian Eno – Final Sunset (EMI)
Tangerine Dream – The Dream Is Always the Same (Virgin)

Links: Facebook Page / Facebook Group / Soundcloud

Under The Counter (Volume Seven)

Reviews of new releases and fresh promo’s by Dave Sector (A Hungry Ghost) and Dominic Stanton (Sonar’s Ghost).

FFF – Alert And Waiting (7th Storey Projects)

Dave – Around a minute into this four-track EP you realise you are in for a wild mix of sounds from the history of drum and bass. The intro of the title track alone contains fierce hardcore stabs, twisted mentasms, soundclash FX and a piercing snare before launching into a heavy amen, fat enough to get any crowd moving. The EP then immediately changes tack with “They Know”, a traditional style roller with chunky looped breaks and a larger than life Reece bassline. The flipside opens with the rare groove sampling “The Way”, a perfect recreation of the classic feel-good jungle sound with ragga samples and a rugged second drop, sliced and diced to perfection. The twelve finishes with “So Good”, a track that features more ideas in six minutes than some producers have for a whole EP. Opening with a mystical cosmic pad, the classic “you make me feel so good” vocal, a melodic bassline underpinned with a four-four kick. All this may lead you to believe that the track is about to go into floaty 92 Bukem territory, what follows though is a balanced mash-up of dancefloor-ready amen edits and uplifting hands in the air piano… A thoroughly enjoyable release that deserves your attention and one that reminds you of the “good old days” when DJ’s played a bit of everything and 12’s were nice and diverse.

Dom – In terms of pricking up my producer’s ear, there certainly were a few parts in this EP that genuinely felt inventive with a nod to something familiar. “The Way” gave me that feeling I got the first time I heard Tango “Understanding” or Johnny Jungle “Flammable”, that something new and interesting with the pitch and the space between the drum hits was being explored so that the sparsity and space are as important as the drum hits. Add to that that the 808 notes hit in time with the perfectly chopped amen, then I am in – complaints of ‘too much Amen’ drip away when you have quality usage like this. The rest of the EP isn’t too shabby either. The non-amen moments are punctuated with other old faves like Hot Pants and it’s Charlie Says/Radio Babylon variant to great effect. Overall it has the feel of a classic EP that Carl Cox/Ramos/Grooverider/Bukem would all have had a track to play off in 1993 gives you an idea of its span and instant classic value.

Zero T And Beta 2 – Exiles EP (Metalheadz)

Dave – I know it is ridiculously early in 2020 but this is my favourite release of the year so far, and I think will be hard to top. It’s like they have listened to the whole Headz and Photek back catalogues then made a fresh homage to all the bits they love, and quite painstakingly by the sound of it. Old vibes for sure but crafted in their way, and how refreshing it is to hear artists inspired by a certain time/sound recreating it without just ripping off sounds taken from the tracks that served as the influence. Every attention has been made to ensure this is a timeless EP with the artists themselves saying “they went in” on its production. Each track has its journey with my highlight being the build to the incredible string section on “Misdemeanour”, worth noting that Dom pointed out comparisons in feel with this track to the 1998 release “An Evening With Hefner”. The “Exiles EP” is the first Metalheadz test press I’ve added to the collection since 1996, and it certainly holds its own alongside the early releases that formed the bedrock of the label. An EP so solid even the two digital-only bonus tracks blow most labels main releases out the water.

Dom – I can hear lots of Headz samples and classic era tropes on this which I would love to reference in a 12” I had made for Headz. I think the arrangements and production are incredible on this EP, I hope it gets the attention it deserves. The Photek nods are well painted on its sleeve, but done with genuine love and attention to the original source as opposed to lifting from Rupert’s records. This is a thing that fans and producers can appreciate more than punters, giving this a DJ’s DJ or Producer’s Producer feel which may work against it in terms of mass appeal. I genuinely hear throughout things referenced that directly influenced me and the way they are interpreted is in ways I could imagine I would come up with on my best creative days with months to spare to get it just right.

Drummotive – Petulia (Subtle Audio)

Dave – I really like this, it’s pretty out there which you’d probably expect coming from Conor’s label known for taking risks and pushing the more left-field side of the scene. “Petulia” chooses the more experimental side of jazz as an influence so it gets quite hectic, it certainly doesn’t play it safe but then neither did jazz in the seventies. The intro sounds like something that would get diggers excited with those warm Rhodes, in fact, the whole song is like one of those random fusion tracks you discover while looking for samples on obscure LP’s. Drum and bass in style, jazz at heart.

Dom – I love the drums. They are very busy at points I imagine some people may get lost in it (either dancing or attempting to play it out/mix it), but it’s refreshing in the context of modern DnB and brings to mind the Reinforced/Bassbin mindset of forgetting what everyone else is doing or expecting, and just making it because it is the collection of sounds you enjoy. I have great respect for this ethos, the risk of releasing it on vinyl at least continues a flame held for the creativity of a genre constantly accused of all sounding the same.

Coco Bryce – 1 Luh (Sweet Sensi Records)

Dave – This is taken from a forthcoming 12” on Canadian label Sweet Sensi, this isn’t the only forthcoming Coco Bryce track we listened to tonight but the only one we are allowed to review. Yoel certainly knows how to select sounds that sit well together, producing tracks that are balanced and carefully composed. On “1 Luh” it’s nice to see Funky Mule take centre stage, whenever I hear that break I can’t help but think of “Journey To The Light”, which in my mind kind of owns that break and always felt you’d be brave to use it, but countless others have since and I have to say this really works. The vocal sample requesting you to chant “one love” gives it character and the cheeky Six Million Dollar Man sound effect is pure nerd nostalgia which had Dom and I trying to remember whether we knew it from He-Man or the Hulk, turned out it was neither! Thanks, YouTube.

Dom – Good combination of sounds and breaks. Not obvious at all, and we LOVE the “Doing” noise (is it He-man? Classic Hanna Barbera? Oldschool Hulk/Spiderman? I think they used to ‘borrow’ it in something other than Six Billion Dollar Man I am sure!) Anyway Coco delivers some great non-amen sturdiness, that if played out would definitely work wonders in terms of sound quality and arrangement hitting all the spots. Coco does really well at Juxtapositioning, and unexpected sound or genre reference can be worked in most effectively and both sides display elements of that. A reliable buy.

Booca – Ringin In The Night EP (Next Phase Records)

Dave – I love it when people make stuff that doesn’t pay much mind to the dancefloor. This EP is a wild outing into sample manipulation, reminiscent in style of the 2003 LP “Soulhack” by Forss on German label Sonar Kollektiv, which we would highly recommend if you haven’t heard it. By the way, it’s crazy to think Forss AKA Eric Wahlforss then went on to co-found Soundcloud… not even sure if he still produces, which is a shame. Anyway, “Ringing In The Night” is great to listen too. If you enjoy the late 90s drum and bass experiments by the likes of Luke Vibert and Squarepusher on Ninja Tune and Mo Wax then you will most likely really enjoy this. Like those, this may be based on the foundations of DnB but it manages to flip those principles into something fresh and exciting. In my humble opinion, this EP deserves to reach a much wider audience than just the jungle crowd, purely for its scale and production wizardry. Once again, it’s great to see labels who are prepared to take a risk or two avoiding the obvious. Just don’t ask me to mix any of them.

Dom – Textually and rhythmically interesting, and daring and atmospheric but would a DJ play it? Probably not, but that is not a bad thing. This type of sample mangling is smokers/producers heaven, to lie back and let it wash over you then try to catch fragments of elements you could place. The time and effort are immaterial though, as the end effect is stunning. Both subversive and referential to its own history, this is what advanced producers of this genre who remained to study sample manipulation should aspire to create, as I indeed do.

Words: Dave Sector and Dominic Stanton

Many thanks to the artists and labels who send me music. If you would like your release considered for inclusion on Two Hungry Ghosts please email your submission to twohungryghosts@gmail.com

Blame – Visions Of Alpha [Unreleased] (Free Download)

This week, Blame very kindly released this previously dubplate only track as a free download. Highly in demand, “Visions Of Alpha” fuses two of his most celebrated tracks from the Logical Progression/720/Good Looking era, namely “Visions Of Mars” and “Alpha 7”.

The download can be accessed via Google Drive now.

Many thanks to Conrad for allowing us to upload this stream, feel free to give him a shout/follow to show your appreciation.

Youtube: youtube.com/c/Blame720
Facebook: facebook.com/conrad.blame
Instagram: instagram.com/blame720
Twitter: twitter.com/blame720

Favourites: Seba And Paradox

To celebrate the Metalheadz release “Hexagon”, Seba And Paradox gave us a rundown of their favourite productions by each other. Taking these tracks, and adding a few of our own choices from their back catalogue, we have then blended them to create “Favourites”. Think of it as a playlist to showcase their music rather than a full-on DJ set.

From the B-Boy funk of Paradox to the spaced out bliss of Seba, the producers have delivered some of the finest moments in drum and bass history over three decades. Recording for labels like Moving Shadow, Good Looking and Metalheadz, their own labels, Paradox Music and Secret Operations as well as a new joint label, the duo have a vast discography to draw from so putting this list together must have been no small feat.

“Hexagon/Love Or Death” captures the essence of both producers and is the first release on Metalheadz for the duo. Available on both digital and vinyl now, the record comes housed in a full artwork sleeve.

Buy: Bandcamp / Metalheadz Store

Favourites – Seba And Paradox (Tracklist)

Seba And Lo-Tek – Universal Music (Good Looking Records)
Paradox – Orion (Metalheadz)
Seba – 34 Alpha (Secret Operations)
Seba And Paradox – Hexagon (Metalheadz)
Seba And Method One – Eidolon (Commercial Suicide)
Paradox – Crate Logic (Samurai Red Seal)
Seba And Paradox – Love Or Death (Metalheadz)
Nucleus And Paradox – Azha (Metalheadz)
Seba – Can’t Describe (Secret Operations)
Alaska And Paradox – Planet 3 (Good Looking Records)
Seba – Dangerous Days (Warm Communications)
Nucleus And Paradox – Analogue Life (Metalheadz)

Seba’s Top Three By Paradox

Alaska & Paradox – Planet 3 (Good Looking)

Seba: “This track blew my mind when I heard it 22 years ago. The amen has a much lower pitch than most other tracks that came out at the time. It made it really punchy and heavy. The vocal samples with delay also sits perfect on the whole arrangement. I really love the Aphex Twin style chord that comes in half way through too.”

Paradox – Crate Logic (Samurai Red Seal)

Seba: “This track is all about the drums! I like the long intro in this track with cut up breaks in a Paradox style and old-school b-boy samples. It drops so suddenly with a completely different drumbreak that makes the track very intense. I´ve played this track since before it came out in 2013 and I still play it today.”

Paradox – Orion (Metalheadz)

Seba: “Much more steppier than most other of Paradox’s other tracks. I like this one because it fits really well in my sets as a contrast to my own music. It still has that b-boy edge to it with old-school hip-hop samples. It’s also very hypnotizing!”

Paradox’s Top Three By Seba

Seba & Lotek – Universal Music (Good Looking)

Paradox: “This is a bit of an old one with Lotek but it’s a title that reminds me of our first meeting in the UK at Ministry Of Sound at a Good Looking event in the mid 90s. We spoke and were into each others music and I probably mentioned Universal Music at the time. I’m a sucker for long searing pads that let the breaks breath and Universal Music captures the whole Good Looking vibe in a nutshell for me. It was a fruitful era for both of us.”

Seba – Can’t Describe (Secret Operations)

Paradox: “Seba saves his best output for Secret Operations and rightfully so. The Detroit house vibes in this track are great. I would have done the drums differently of course but that’s just me.”

Seba – Dangerous Days (Warm Communications)

Paradox: “Although this is an ode to Vangelis, it’s done really well and Seba can do this type of music blindfolded. The apocalyptic vibe of the track is good and the dark side of the breaks and bass puts this track in my top three.”

“Hexagon/Love Or Death” is available now directly from the Metalheadz Bandcamp and store.

Influences “Wagz” none60

For this edition of Influences, we return to the none60 stable as Wagz provides a rundown of music he finds inspirational. It may surprise you for an artist whose productions wouldn’t sound out of place on Good Looking that he cites Iron Maiden as an influence, such is the joy of these lists.

For those unfamiliar with Wagz we premiered his track “Hyena” with its classic Photek tinged melodies taken from last years none60 compilation “none of the above“, which can be heard here. He has also recently released an EP for the label titled “City Lights” with sweeping pads, warm bass and intricate drums.

That EP can be streamed in full at the bottom of this post.

Buy: Bandcamp

Black Sheep – Similak Child

There’s so much hip-hop I could have chose it was difficult to pin one down but this Black Sheep album brings back so many memories of being a teenager walking round Buxton with headphones on going round to my mates house. The samples and the sheer vulgarity of the lyrics appealed to me on this album, but the guitar hooks on this track always stood out.

U.N.K.L.E. Featuring Ian Brown – Be There

So many to choose from on Endtroducing/Psyence Fiction so went with the vocal version of this one. Again, it’s all about the mood/atmosphere and samples. I can’t listen to this track in the day time, it has to be dark. I feel like I’m cheating nowadays when picking samples with the technology at hand when you compare it to the time and effort that people like DJ Shadow put in on these albums.

Tangerine Dream – Love On A Real Train

Soundtracks are a massive influence for me, especially 80’s stuff. Even the shittest film back then could have an awesome soundtrack and this one is a prime example. I don’t think I will ever get bored listening to this. Proper 3am sofa business.

Wild Nothing – Paradise

One of my current favourite bands and this is the song which got me into them. Can’t think of a better song to get lost in the moment to. The breakdown is pure bliss.

Iron Maiden – Hallowed Be Thy Name

I first heard this on Jamie Thomas – Toy Machine – Welcome to Hell skate video in the 90’s and became a massive Iron Maiden fan much later on through a good friend of mine who sadly passed away. This song got me through some difficult times – crank it up to full volume and run as fast as you can.

Stream/purchase the “City Lights EP” by Wagz below.

THG X Noods W/ Dave Sector (January 2020)

The first show of 2020 features forthcoming music on Metalheadz, Sneaker Social Club, 45Seven and re:st as well as an amazing unreleased track by DYL. Starting off with lo-fi sounds at both 126 and 170 bpm we then enter a small dub section before three brand new tracks on the legendary Headz label, including two cuts from the forthcoming “Exiles EP” from Zero T and Beta 2, sounding just like Photek had returned to his cult “Modus Operandi” phase.

THG X Noods W/ Dave Sector (January 2020)

Eusebia – Pray (re:st)
Eusebia – Repose (re:st)
Hooverian Blue – Laluviah (Sneaker Social Club)
LCP – Bedroom Raver (re:st)
Dominic Ridgway And Mauoq – Snow White Ballad (Regression Media)
DYL And DB1 – Uniformity Of Nature (Detach)
DB1 – Late Night (Mold)
DYL – Season (???)
Om Unit – Peninsula (Self-Release)
LXC Featuring Emperor Echo – How Bleep Is Your Dub? (45Seven)
Zero T And Beta 2 – Dead Cert (Metalheadz)
Seba And Paradox – Hexagon (Metalheadz)
Zero T And Beta 2 – Misdemeanour (Metalheadz)
Farz – This Life (Peer Pressure)

First broadcast on NOODS Radio 16th January 2020 between 14:00-15:00.

THG Mix Series Volume 4: Anomalies – Into The Rift

For the fourth volume in the THG mix series, we head to Sheffield for a vinyl-only selection of dark halftime and fierce breaks blended by Anomalies.

Focusing on the grittier side of modern jungle and 170 has resulted in him playing at both UVB-76 (White Hotel) and Metalheadz (Hope Works) nights as well as headline slots at more intimate events. This mix is inspired by performing at three private functions, spinning some of his favourite tracks on big sound-systems.

Heavy and relentless it sees the talented selector fusing tracks from some of our favourite producers including DB1, Pessimist, Forest Drive West, Homemade Weapons and Holsten. Mixed with energy this is a journey into the deeper realms of drum and bass, one for the heads.

As well as performing, the DJ has also set up Anomalies, a new place in Sheffield to hear sounds across the 170/85 spectra, the night will showcase underground artists who are helping to shape the future of the genre.

Prepare to enter the rift.

Links: Facebook / Instagram

THG Mix Series Volume 4: Anomalies – Into The Rift (Tracklist)

DB1 – Duppy Pulse (UVB-76)
The Untouchables – Thorium ft. Homemade Weapons (Samurai)
Torn – Escape (Weaponry)
Holsten – Momentum (Droogs)
Djinn – Destructive Consequence (Foundation X)
Pessimist – No Matter What ft. Overlook (Blackest Ever Black)
Holsten – Abscess (Droogs)
X Nation – Every Time (Rupture)
Homemade Weapons – Lingchi ft. Artilect (Samurai)
Ahmad & Akinsa – Delusions (Rupture)
Torn – Never Mind (Samurai)
Forest Drive West – Fiorna 161 (Rupture)
Champa B – Catacombs (Holotype Audio)
Homemade Weapons – Heretics ft. Torana (Samurai)
Response & Pliskin – Raging Bull (Skeleton)
B-Key – Man of Science (Scientific Wax)